![]() Tequila Sunrise harkens back to such Hollywood classics as Casablanca (1942) and The Big Sleep (1946) with its mix of adult relationships, sophisticated banter, crime drama and romantic melodrama, updated to the culture of 1980s Southern California. ![]() "My characters get caught, they try even though they don't prevail or even significantly influence events. ''The characters I write about are men who control events far, far less than events control them," is how he described the dynamic to Turan. ![]() When the movie industry shifted from adult stories to action films, blockbuster fantasies and adventures in the course of the 1970s, Towne made the shift to director.Īs he explained to Kenneth Turan in 1988, ''even if someone is scrupulous about your text, tone is finally what's important, and you can't get that if you're not willing to be there and insist on it.'' Tequila Sunrise (1988), Towne's second directorial effort, is an original screenplay built around friendship, loyalty, betrayal and a romantic triangle that pits longtime friends, now on opposite sides of the law, against one another. And along with writing such landmark films as The Last Detail (1973) and Shampoo (1975), Towne was one of the most in-demand script doctors for decades, performing structural surgery and providing uncredited rewrites or additional scenes on such films as Bonnie and Clyde (1967), The Godfather (1972) and The Parallax View (1974). He's been nominated for four Academy Awards for his screenplays and won for Chinatown (1974), one of the great American films of the 1970s. The scenario is complete when we consider the regular effects, the good sets and costumes and a dated soundtrack, not very elegant and worthy to be left in the forgetfulness where it fell.Robert Towne is one of the great American screenwriters. The influence of noir is quite clear in this film. Technically, the film has an excellent cinematography and filming work, which earned it its single Oscar nomination. On the other side, Raul Julia barely gave life to a caricature, given that he limited himself to follow the list of Latin stereotypes: histrionic, he speaks loudly, screams and exaggerates in the demonstrations of affectivity. Kurt Russell is also very good, although he is not able to meet with his colleagues, who almost throw him into the gloom. The main actors are also good and leaved us an excellent work, particularly Michelle Pfeiffer and Mel Gibson, who build a truly enviable chemistry. And there is no doubt that dialogues were very well made. The film relies heavily on dialogue and cast's performance. So, Frescia decides to involve Jo Ann, and ask him to spy on Mac, while trying to take advantage of the situation to seduce her. But the chief of police is convinced that Mac is not out of the drug business and he's preparing a visit of a powerful drug barom for a big deal. They are both interested in Jo Ann, the manager of an Italian restaurant they used to go. The script is based on a love triangle between two childhood friends, one of whom, Mac, is a former drug dealer and the other, Frescia, an agent in the Narcotics Division. ![]() It is too light, and we watched it without thinking too much. The script is based on interesting premises and has everything to create a pleasant atmosphere of suspense, with touches of romance and action, but I felt that the film has no impulse or depth, lacking impact with the audience. It is too I honestly expected something more from this film. I honestly expected something more from this film. ![]()
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